chuyun lu‘s

In this step, I attempted to integrate a ‘grasping hand’ element into the necklace design to add visual interest, as the original components felt “too plain.” However, this revealed a critical aesthetic inconsistency. The ‘hand’ from my previous version (as seen in the reference images) was a literal, fully 3D sculpt, which I critically identified as looking “like a toy.” It clashed severely with the primary necklace components, which are more “flat” and decorative. This lack of unity—a realistic 3D object “stuck” onto a decorative 2D-style piece—was unacceptable. To solve this, I began to deconstruct the concept of the “hand” itself. Instead of a literal hand, I started exploring how to transform it into a decorative motif that matched the rest of the design language, such as by using only the fingers or, more successfully, translating the hand into its skeBletal (手骨) form. This pivot would allow the hand element to be stylistically unified with the overall gothic and anatomical theme.