In the advanced attempt of painting, I referred to more ancient statues, and then deepened the color according to my own understanding, and then drew some patterns and details on it, including those scales. It is to emphasize that I used the thinnest pen to outline the rhombus on it to show the reflection of the scales, and then used extremely fine lines. The pen goes to outline and the painter imitates the delicate texture of death, and then some parts are disconnected, which is similar to the paint being rubbed off. That feeling may be weathered and fallen off after a long time. Then I patted the overall background color little by little with a sponge, which made it easier to create the mottled effect and the graininess of the stone. Regarding the version of the black and gold color matching, I adopted a new method to remove the shape of the gold foil before, so I used a thick-textured nail polish to outline the shape on it and wait for it to form a volume before applying the gold foil.









