I made an iteration of the painting method. I adjusted the ratio of uv glue and color powder to make it stronger, and the texture would look more matte. Then I made it thinner, and then I used a small amount to make a thin picture many times, and I researched a way to remove the writing, that is, reverse Apply it with its texture, so that the glue will seep into the gap of the model and fill it flat, and then the final effect will become relatively very flat. This is a small breakthrough point, that is, how to preserve the original details as much as possible, and then make it flat, which can solve the problem of pla materials with layers when printing. Then I wanted to imitate the effect of that dobe, so I made it with ocher powder mixed with uv glue. There may be some gloss in the photo, but in fact, it will be relatively matte in reality. Then I roughly adjusted some details with color powder, such as adding some dark colors in the gaps and dents to make it look more volum, and then I tried to superimpose some colors with color powder. I hope these colors can be painted with a layer of white pigment and used here. It is a method I have mastered before called the translucent color method. First paint dark color, and then paint light color. It is a progressive relationship from dark to light, which will have a sense of hierarchy. After completing the basic color distinction, I used a sponge to stick white pigment and gently pat it many times. With sponges of different thicknesses and fineness, this can give him different incentives and a sense of hierarchy. Moreover, sponges of different thicknesses can increase their surface structure, making him look more rhythmic. , imitating the feeling of natural shedding and weathering of the pigment on the statue.
I put four layers of uv glue in total. Each time it is a thin picture, and the pigment is about two layers.
chuyun lu‘s 